Wednesday, May 13, 2020

Analysis The Hunchback Of Notre Dame - 816 Words

Independent Reading Option 4, The Hunchback of Notre Dame, pages 85-165 Victor Hugo finishes the background and introduction of the characters and begins the plot by setting up the antagonist. During these pages, Hugo continues to allude to many different historical figures and events, provides vivid descriptions of the Notre Dame cathedral and makes it an important symbol in the book. In The Hunchback of Notre Dame, Hugo gives the reader the first look at the Notre Dame cathedral. Hugo personifies the cathedral by using the words talking, singing, breathing, and growing. Hugo uses the words singing and talking to reference the bells which are rung by Quasimodo. The symbolism of the cathedral also ties to the†¦show more content†¦Frollos closest two people symbolize his failures, and Frollo resorts to learn black magic, which sets him up as evil. Frollo additionally hates La Esmeralda, and watches over her from the top of the cathedral like Quasimodo. Unlike Frollo, Quasimodo likes La Esmeralda because she showed kindness and saved his life, so this could potentially cause conflict between Quasimodo and Frollo. Hugo portrays Frollo as evil even more by his hatred of La Esmeralda, by making him use his priest power to find information on her. Option 2, The Hunchback of Notre Dame, pages 85-165 Victor Hugo uses a large part of the book to discuss the history and description of Notre Dame, as well as criticizing the different renovations it has undergone. Hugo also shows common themes of the Romantic Movement in France. In The Hunchback of Notre Dame, Hugo dedicates the whole third book to an in depth description of Notre Dame. For example, †¦where the three porches with their pointed arches; the plinth, embroidered and fretted with twenty-eight royal niches; the immense central mullioned window, flanked by its two lateral windows, like the priest by the deacon and the sub-deacon; the lofty and light gallery of open-work arcades supporting a heavy platform upon its slender pillars†¦ (pg. 94). Here, the narrator describes theShow MoreRelatedThe Hunchback Of Notre Dame Character Analysis2023 Words   |  9 Pagesâ€Å"What makes a monster and what makes a man?† (Schwartz, 83.) — the age old question, so eloquently phrased as the moral of the story in the musical version of The Hunchback of Notre Dame, takes on a whole new light depending on the character a person focuses on. When people think of this question in regards to the aforementioned tale they usually look directly to the protagonist, Quasimodo, however few look to archdeacon and villain himself, Claude Frollo. Now, Frollo isn’t necessarily exactly whoRead MoreHunchback Of Notre Dame Analysis1137 Words   |  5 Pagessequence in The Hunchback of Notre Dame (1996), in how it demonstrates that Disney classics can internalize false ideology in young women through objectification. Firstly, the female protagonist always expresses a fragmented happiness that only the male protagonist can complete. Secondly, filming conventions are used to put the viewer into the perspective of the male. Thirdly, the appearance and design of the women is created to satisfy the male eye. Although Disney’s The Hunchback of Notre D ame is a classicRead MoreAnalysis Of The Poem The Hunchback Of Notre Dame 950 Words   |  4 Pagesfurther obstacles to connecting to one’s environment. This is illustrated through Peter Skrzynecki’s ‘Immigrant Chronicles’, in which he depicts the complications of belonging through his personal experiences. In addition, Victor Hugo’s ‘The Hunchback of Notre Dame’ also represents the intricacy of connecting to others through the protagonist, Quasimodo. Essentually, both texts explore the impact of a relationship, or lack thereof, on self-identity. Peter Skrzynecki’s ‘In the Folk Museum’ illustratesRead MoreHunchback Of Notre Dame Film Analysis1228 Words   |  5 Pagesand how did the filmmakers come to believe them? By examining several great Hollywood films over a span of three decades, the answer will become clear. The Hunchback of Notre Dame (1939) marks one of the great turning points both in Hollywood and around the world. With the rise of Nazi Germany fresh in the minds of its exiled directors, Hunchback revolves around themes of progress vs superstition and the persecution of ethnic minorities. Within the world of the film, nearly all of the â€Å"good† charactersRead MoreMouse Morality : An Analysis Of Christian, Family, And Homosexual Values1420 Words   |  6 PagesMouse Morality: An Analysis of Christian, Family, and Homosexual Values in Disney According to Richard Land, one of the originators of the Southern Baptist Convention’s Boycott of Disney, Disney is pushing a â€Å"Christian-bashing, family-bashing, pro-homosexual agenda† in its film, television, and theme park empire. However, this accusation is not accurate in regards to the majority of entertainment that Disney produces. Since the beginning of Walt Disney’s creations, the brand has focused on promotingRead MoreThe Media s Influence On Children876 Words   |  4 Pagesperceive the world around them. If a child forms gender stereotypical schema with regards to aggressive behavior, he or she may end up following the behavior themselves or having unrealistic expectations how others will behave. It is important to analysis just how the media portrays both male and female characters so caretakers can ensure that their children do not form false schemas. This study analyzed the difference in the amount of aggressive behaviors committed by male and female charactersRead MoreAnalysis Of Disney s And Fat Phobic Appearance Personality Correlation2223 Words   |  9 Pagesmonarch. Part of the racial microaggression in Disney intersects with its sexism, though the misogyny displayed is spread out in small snippets over multiple movies rather than seen in large, overexaggerated antagonizing film basises. For instance, in analysis of 16 pre-2001 ‘classic’ dubbed films, it was found that males had a job count of at least 26 while women only boasted 4 out of home occupations, namely actress, sheep tender, thief and fairy, if they had any occupation at all.. In an already patriarchicRead MoreThe Movie Camera: The Evolution and Impact of Filmmaking2204 Words   |  9 Pagesserious art films like Birth of a Nation and Intolerance films that taught both history and ideology B.Silent Auditoriums (Szaloky, 2002, p. 109) C.Classical Epics adapted for film: The humanities shape film and vice versa. Works like The Hunchback of Notre Dame and Ben-Hur show a relationship between literature and the movie camera IV.Evolution of the Advancement A.A New Kind of Comedy: Keaton and Slapstick, Satire, and Spectacle: The General the apex of silent filmmaking (Ebert, 2002). B.TheRead MoreEssay about Disney and Discrimination1430 Words   |  6 Pagescombat that comment by using Quasimodo from Hunchback of Notre Dame as an example of the weak rising to success. Religion, also plays a role in Disney whether one would like to believe it or not. Through the addition of â€Å"Gay Day† at Walt Disney Theme Parks, Disney is trying to take steps to promote equality for all types of interests. Yet, like any of the above topics, this too is controversial based on your own personal religious beliefs. This analysis of Disney comes at a time when our world isRead MoreLes Miserables: an Analysis1421 Words   |  6 PagesLes Misà ©rables By Victor Hugo An Analysis by Neyko Gelo L. Dela Cruz, 3-11 August 3, 2015 â€Æ' INTRODUCTION Victor Hugo Victor Marie Hugo, born on February 26, 1802, was a celebrated French author during the Romantic Movement and is best known for his poetry and his novels including The Hunchback of Notre-Dame and Les Misà ©rables. His father served as a high-ranked officer in Napoleon’s army. Since it is against his mother’s

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